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Философский формат творческой свободы

Гуманитарный вестник

# 10·2017 7

The philosophical format of creative freedom

© L.B. Omarova

Financial University under the Government of the Russian Federation,

Moscow, 103274, Russia

The article analyzes the basic philosophical approaches to creative freedom and freedom

of creativity: reductive and substrate. The ambiguity of the philosophical meaning of cre-

ative freedom is revealed. It is due to the fact that the concepts "creativity" and "free-

dom" are viewed from different aspects (moral freedom, legal freedom, scientific crea-

tivity, creativity of life, etc.). It is concluded that these concepts are not identical; free-

dom is a necessary condition for creativity. The issue of creative freedom and freedom of

creativity today is closely intertwined with an overabundance of information, which leads

to stagnation of creative freedom and forms not creative but addictive (dependent) behav-

ior, i.e., constrained.

Keywords:

creativity, freedom, context, society, personality

REFERENCES

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Martynyuk V.S.

Ogranichenie svobody tvorchestva: filosovsko-pravovoy aspect

[Restriction of freedom of creativity: philosophical-legal aspect]. Available at:

http://teoria-practica.ru/rus/files/arhiv_zhurnala/2012/4/yurisprudentsiya/

martynyuk.pdf

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Moscow, AST Publ., 2006, p. 394.

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Berdyaev N.

Filosofiya svobody. Smysl tvorchestva. Opyt opravdaniya

cheloveka

[The philosophy of freedom. The meaning of creativity. An attempt to

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[5]

Kuzmina E.I.

Psikhologiya svobody: teoriya i praktika

[Psychology of freedom:

theory and practice]. St. Petersburg, Piter Publ., 2007, 336 p.

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Zakhovaeva A.G., Ursu A.V.

Filosofiia i obshchestvo — Philosophy and

Society

, 2008, no. 4, p. 115.

Omarova L.B.,

Post-graduate (Ph. D.) student, Department of Sociology, Financial

University under the Government of the Russian Federation.

e-mail:

leylaomarova1@gmail.com